This exhibition draws from South Asian cosmologies and ecological rhythms, where time is understood as cyclical rather than linear. The concept of the ‘Kaalchakra’—the wheel of time—mirrors the Earth’s rotations, lunar phases, and the pulse of breath and blood. Unlike the modern notion of time as a straight line with fixed beginnings and ends, it encourages a return to organic temporal rhythms that shape bodies, ecosystems, and memory. Here, twenty-four artists become metaphors for the twenty-four hours of a day, unfolding across a continuous loop. Through sound, sculpture, installation, and imagery, they evoke states of rain, heat, decay, stillness, and bloom. Time is framed not as something to conquer, but something to inhabit—an invitation to live in cycles where seasons, emotions, and selves return, resonating within the cosmic spectrum. The set has been meticulously designed and curated by OSA Studio. The chosen venue, The Asylum Chapel—also known as Caroline Gardens Chapel—built between 1826 and 1833, becomes both container and collaborator. Artists are invited to respond directly to its weathered architecture. Within the space, a spiral arrangement of 200 wooden chairs from the 1920s establishes a rhythm of movement and pause, guiding visitors through the exhibition like a turning clock. Each artwork leads naturally to the next, unfolding like emotional seasons. This spiral, a skeletal timepiece made of chairs, embodies the passage of time while infusing the chapel with a rustic and atmospheric presence. Within this framework, art and architecture merge into a single, layered, and immersive experience.